Apr
07
2009
0

What I’m Reading Now: Kelly Armstrong’s “Bitten”

Back to random selections from my local library, I stumbled upon Kelly Armstrong’s Bitten. It’s another tale of werewolves (or a least a werewolf) living in human society.

So far it’s not as enthralling as Toby Barlow’s Sharp Teeth, but it’s not written in distracting free-verse either. As an added bonus, it is part of a series, so if you like it, you know you’re guaranteed a couple follow-ups.

From Publishers Weekly

It’s not easy to find a fresh angle for the werewolf theme, but this debut novel from a Canadian writer proves that solid storytelling and confident craftsmanship can rejuvenate one of the hoariest of all horror clich‚s. Elena Michaels is a self-described “mutt,” a werewolf who left her secretive pack in upstate New York for a life among humans. In the year since she relocated to Toronto, she’s embarked on a career as a journalist and begun a pleasingly mundane relationship with a decent man. All this is jeopardized when she agrees to help her old packmates hunt some troublesome mutts who are converting common criminals to werewolves and leaving a trail of conspicuous carnage. Reunited with her former lycanthrope lover and forced into brutally predatory confrontations, Elena finds the call of the wild subtly reasserting itself. Armstrong prepares readers for her tale’s twists with several key revisions of werewolf lore the werewolf taint is mostly hereditary, and werewolves can be killed as easily as any human or wolf. Her true achievement, though, is her depiction of werewolf nature in believably human context. Elena’s feral sensibility, like her psychological vulnerabilities, seems a natural outgrowth of her abusive childhood, and her relationship with the pack is that of any prodigal child to a close-knit family. The sensuality of Elena’s transformations and the viciousness of her kills mesh perfectly with her tough personality. Filled with romance and supernatural intrigue, this book will surely remind readers of Anne Rice’s sophisticated refurbishings of the vampire story. Agent, Helen Heller. (Oct. 1)Forecast: The sensual, non-genre jacket design will help to signal that this novel will also appeal to mainstream tastes.

Copyright 2001 Cahners Business Information, Inc.
–This text refers to an out of print or unavailable edition of this title.

From Library Journal

Elena is a werewolf the only female werewolf in the world. Betrayed by Clay, her former lover, who bit her while in his werewolf form, she is now resigned to a life of secret changes while attempting to remain in human society. Meanwhile, the power of the Pack and her deep-seated ties to Clay continually press on her, preventing a true commitment to her human lover. When the Pack Alpha calls her to help rout a band of murderous “mutts” (werewolves not affiliated with the Pack), Elena reluctantly becomes the animal she has fought so long to suppress. First novelist Armstrong presents true werewolves as those who follow Pack law and don’t kill for pleasure. Changing into a werewolf becomes an act of nature, as does ripping mutts to shreds for threatening the Pack. Elena’s struggle with her wolf nature and her love for two men is caught up in the werewolves’ fight for dominance and territory. While the plot is as predictable as gang warfare, readers will cheer for Elena as she beats up the big boys and has the courage to choose her own path. Recommended for larger public libraries. Jen Baker, Seattle P.L.
Copyright 2001 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.

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Written by Aaron in: Books | Tags: , , ,
Mar
25
2009
0

What I’m Reading Now: Sharp Teeth


Two words: werewolf gangs. First, it’s written in free verse which reads sorta funny since it’s not in standard paragraph form. It takes a couple minutes to get past that but it’s well worth the effort.

I’ve never read anything quite like it. It sucked me in quickly and is a fast read. I strongly recommend it.

From Publishers Weekly

Starred Review. Barlow’s gut-wrenching, sexy debut, a horror thriller in verse, follows three packs of feral dogs in East L.A. These creatures are in fact werewolves, men and women who can change into canine form at will (Dog or wolf? More like one than the other/ but neither exactly). Lark, the top dog in one of the packs who’s a lawyer in human form, has a master plan that may involve taking over the city from the regular humans. Anthony Silvo, a dogcatcher and normally a loner, finds himself falling in love with a beautiful and mysterious woman (Standing on four legs in her fur,/ she is her own brand of beast). A strange small man and his giant partner play tournament bridge and are deep into the drug trade. A detective, Peabody, investigates several puzzling dog-related murders. The irregular verse form with its narrative economies proves an excellent vehicle to support all these disparate threads and then tie them together in the bittersweet conclusion. 5-city author tour. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. –This text refers to the Hardcover edition.

From The New Yorker

In a cheeky nod to epic poetry, Barlow’s début novel is written entirely in free verse and concerns a metamorphosis, of humans into wolves, in Los Angeles. No slaves to the moon, these postmodern lycanthropes do a thousand situps at a time and choose when to “self-ignite.” (There are lapses: a grease-sensitive type inadvertently commits a massacre at Popeye’s.) The story involves a white-collar pack run by a Sun Tzu-style strategist that operates like a cross between a ruthless law firm and the Lakers; a plot to infiltrate animal shelters and high-end bridge tournaments; and a dog catcher who unknowingly falls in love with a werewolfess. Barlow deftly sketches the L.A. landscape—stucco, sun beating through smog, tract-home meth labs, fresh-cut lawns that “hiss with wealth,” freeways that devour hours of life—and metes out his tale in noirish koans: “Watch any man’s eyes / at the bounce of a ball. / His head tilts slightly sideways, just a hair, / as a primitive focus / comes to life.”
Copyright © 2008 Click here to subscribe to The New Yorker –This text refers to the Hardcover edition.

Written by Aaron in: Books | Tags: ,

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